Motivation is the key...

Another comic post, but this time in a more serious vein (serious comics?). The motivation for any hero to take up the mantle or cause is fairly straight forward and easy to understand; they want to do good for humanity by using their skills to make the world a better place. But today, we're going to go over the motivation behind two specific events from two comic universes (universi?) and compare the effects of these events on the heroes in question. First, we'll analyze Iron Man's motivation behind his decision in the 'Civil War' arc, then take a look at a moment from 'Superman: Grounded' and compare their effectiveness, appropriateness, and believability...

Roughly 4 years ago, Marvel Comics released a huge crossover event called 'Civil War' (one in a loooooooong string of huge crossovers...). In a nutshell, a reckless tragedy involving a team of lesser known heroes way out of their league, destroyed a small town and killed hundred (all caught on TV, I might add...); calling into question how should superheroes be regulated. This split the hero community between those believing that being registered and regulated by the government for accountability's sake vs. those who believe that heroes should act outside the law since those who were sanctioned could be pointed at targets regardless of right and wrong. The heads of each faction were Captain America, leading the said against regulation, and Iron Man, who leads the registered heroes side of the fence. Iron Man took up the side of regulation when one of the victim's mothers assaulted him emotionally at her son's funeral. She screamed at him that his flagrant attitude towards the law and society over the years inspired a younger generation and precipitated the actions that killed her son. This struck a chord with the armored billionaire and pushed hard for the regulation of the hero community. This inevitably lead to a showdown between the two factions (as well as their leaders...), ending in the surrender, capture and eventual assassination of Captain America...

Now, let's jump to today, but switch universes: after an event which caused the destruction of the New Kryptonians in DC comics (look it up; it's too much to go into here...), Superman was feeling disconnected to the people of Earth. More specifically, he felt removed from the people of America, to whom he had sworn to protect (Truth, Justice, and the American Way and all...). To this end, The Man of Steel set off on a walk (see why it's called 'Grounded'...) across America to help the average person with their daily lives and attempt to reconnect to the everyday, average American (good luck, big guy...). He makes stops at various cities and makes a show trying to connect and going through some self-doubt to show how he is growing as a person and rediscovering what it means to be human. The series is still ongoing, so there is no wrap up yet like with 'Civil War', but the moment in question involves a press conference Superman gives and a grieving woman comes up to him and slaps him (smooth...). She tells him how the love of her life had an inoperable brain tumor and she knew Superman could fix it. But when she tried to contact him (I'd love to know more about that...), all she was told is that he was 'prevent[ing] some big interstellar crisis' (is that all...) and that Superman was 'doing something important'. Her husband died and she blamed The Man of Tomorrow as he could have used his super abilities to save her husband. This moment further spurred Superman to take his journey across the country...

How do these moments stack up to each other? Both speak to how the populace of each universe view and regard their hero population and it is for this reason the 'Civil War' moment is more poignant that the one from 'Superman: Grounded'. In Marvel, the public are not always on the side of the hero and often regard superheroes as much in fear as in adulation (look at what Wolverine, the Punisher, and Hulk do on a regular basis and tell me I'm wrong...). So a public outcry over the reckless nature of young heroes in the Marvel universe is to be expected if not a complete given. By having the mother assault Tony Stark and make him realize that his hedonistic nature contributed to the idea that anyone with powers could do whatever they please, it speaks to the maturity and evolution of the character of Iron Man and that he is willing to become the role model and take responsibility for his actions (Uncle Ben would be so proud...). In a different time, Iron Man and Cap would have been on opposite sides, but having the split this way and forcing Tony to choose between his brothers-in-arms and what is good for the people of America is good story telling and good character development...

In contrast, the moment in 'Superman: Grounded' does not work for me as motivation for Superman to try and reconnect with the Untermensch (if you get it, you get it...). The idea of Superman has been built upon that most view him as a god and that he is a well respected and well loved member of society. This also leads to the fact that the people of DC's Earth lean on their heroes more than Marvel's seem to. When you have protectors such as Green Lantern, Superman, and Wonder Woman around, life can go on a bit more recklessly than it might otherwise if such demigods didn't exist. Also, the responsibility of the safety of man, accidental or otherwise, is now placed on super beings able to do the impossible at the drop of a hat. This moment is the case and point of the attitude towards supers in DC comics. Granted, we are supposed to feel bad for this widow, but to have her displace the blame onto Superman (he was battling Kryptonians in space to save Earth, for God's sake...) is a bunch of weak sauce. Superman, as close to a deity as he might be, cannot be everywhere at once and it is childish, even in the face of the death of a loved one, to blame him for something that is small potatoes in comparison to Earth's safety...

What it comes down to is cause in the end. Iron Man's actions (as well as many Marvel heroes...) as a super hero can be traced as the inspiration for the actions of later generations of heroes. His recklessness and lack of responsibility for his actions is transferable to the next generation. It makes sense for him to be personally affected by the tragedy when put into context by a grieving mother. However, Superman did not cause the husband's tumor, much like he did not cause an inescapable flood or a terrorist bombing. Does he have the abilities to stop said catastrophe? Absolutely. Does that automatically make him available to handle every potentially tragic event that may, and probably will, occur in life? Hell to the no. Superman's sin is being gifted with these powers and having a populace that unfairly treats him like a miracle on a stick. I feel sorry for the Big Blue Boy Scout...

If I go crazy...

Probably the most iconic superhero in the business is Superman and for good reason. He's got an extremely recognizable (near garish...) costume and a symbol that anyone knows from a distance. The S shield is likely even more recognizable than Batman's symbol as it has changed the least since it first débuted in the 1930's. Further, his power set (while rather generic...) is memorable in that many comic book fans think of Superman when the idea of flight, heat vision and the like are brought up. And it is the power set that we shall discuss today; specifically the topic of invulnerability and super strength...

It's no secret that Superman can take most anything thrown at him, be it missiles, super strong opponents, or even meteors. The impact may throw him back a ways, maybe it would even 'hurt' him, but he sustains no real lasting damage (after all, he is The Man of Steel...) unless it is a ridiculous level of damage or the opponent is his match or his better in strength (see Doomsday...). Further, Superman can dish it out as well as he takes a hit. He has shifted tectonic plates, moved the moon, and punched 'reality' so hard that it changed (ok, that was Superboy Prime, but the principle is still sound [and it's ridiculous...]...). It's likely that Superman could honestly solve a majority of the world’s problems by a mere application of force, but he doesn't because of his upstanding, 1950's morality. This level of power also means it is nigh-pointless to have him stopping everyday crime. No one would commit petty crimes with a Superman around (that's for another post altogether...). However, this amount of power and toughness comes into question when we bring in Kryptonian or Kryptonian-esque beings on par (power-wise...) with the Big Blue Boy Scout...

To set the stage, let's say we take a body builder and have him punch a dude who is not a body builder. The guy who got punch will fly back farther than if he had also been a body builder. It's an application of resistance and force; pure physics if you will. Now, let's bring in Superman and an average, comparable Kryptonian (Zod is good...) or Captain Marvel (Shazam for those of you who need clarification...). If a Kryptonian punches something (or somone...) that is not supernaturally tough, the target will go flying. But, using the body builder analogy, Superman should react to a Kryptonian/Shazam punch as if he were a normal guy getting hit by a normal guy. Because of The Man of Steel's inherent toughness, the reaction of his getting sent through the air/through walls/etc. should not occur...

There is a hidden statement when we see Superman take a punch in such a way (and it may be a trifle...). When he gets hit by such a being/force/what have you, not only does his inherent invulnerability become negated, the force of the blow overrides his ability to fly as well. Superman has been shown to be able to turn on a dime and have fine control of his ability to fly, but when he gets hit by such a force, this ability becomes lost until he lands. Afterwards, his flight returns as normal. Again, I realize this is for effect alone and makes combat with Superman better, but by having the Man of Steel react in such a ways makes a statement that has never been explained completely enough for my tastes...

In specialized instances (being surprised, getting hit with a large object with Kryptonian force, etc...) though, I can understand seeing Superman sailing through the air or getting beaten down. It would be similar if someone got sucker punch or knocked a guy out with one punch. And I also understand the need to use such effects in comic books; seeing Superman smashing and getting smashed by a powerful opponent leads to good combat panels and makes a comic that much more exciting. I get it. It would not nearly be as much fun if Superman got punched by Zod and he reacted as if I got punched by, let's say Brian. Not that exciting, really. Now, my knowledge of physics is limited so the original analogy may be flawed due to lack of science know how. However, this is how the subject of invulnerability vs. super strength (with a dash of flight...) is being handled in a not quite believable manner. Prove me wrong, folks...

Wolverine AAAAATTTTTT SEEEEEEEAAAAAA......

Let's (belatedly...) hit February hard and give 'em a comic book post to chew on, shall we? It's no secret that if I had to choose my favorite comic book character, Wolverine would likely be on the top of that list. Yeah, I realize it's not all that original for a fan boy to think Wolverine is all that great, but he's got a lot that people find interesting; a tragic story line, a rigid code of honor, a reluctance to kill with the tools given to him, an internal war between civility and savagery...Ok, let's be honest: He's got unbreakable metal claws, he's hard to kill, and pines after the hot redhead, just like you did in school (you know who you are...). Boom. As far as today is concerned, we will be looking at Wolverine #44 (vol. 2...)...

We start with our hero reminiscing (while needlessly wearing tattered...cloth, I guess...) about days gone by and experiences on the sea. This leads us into story at an undetermined time in Wolverine's past. Logan is plagued with dreams of floating, golden babies, which is strange enough. He ends up on a cruise (lord knows why; he sticks out like a sore thumb with that hair [maybe the babies told him to...]...) and meets up with these pregnant women. After a short conversation, one of the women dives into the pool and is quickly (and brutally...) murdered in broad day light. No one saw the murderer, but ol' Wolvie has some suspicions. The party breaks up and Logan dons his brown and yellow costume (my personal favorite costume of his...) and gets down to business. Meanwhile, one of the other women is killed and strung up in the elevator. We then finally see our killer; he's a monster with a lot sharp teeth, sharp spikes, and sharp claws. They fight briefly and the monster slices an elevator cable (innocents in danger...), forcing Wolverine to stop fighting and grab both ends of the loose cables (more on that later...). The monster escapes and, following a brief frackus with security, Wolverine rushes to the last woman's room just as the monster does. He tackles the monster into the water and they fight, all the while the giant rotors (the 'screws', as mentioned in the issue...) get closer. The monster gets sucked into them and is chopped to bits while Wolverine swims away. The issue ends with Logan and the last woman sharing a heartfelt moment...

I've had a copy of this comic book for longer than I can remember. It was a coverless copy even when I received it back in the very early 90's and its condition shows its love. Tara bought me a cherry copy a couple years back, which meant a lot (if you don't know why, I can't teach you...), so now I don't have to be nearly as gentle with the original as I have been. As far as the contents go, the story is alright (written by mega-veteran Hulk author, Peter David...). It's in the vein of a suspense monster movie, but quick (it IS a comic book issue, after all...) so there is little in the way of development and more of a headlong plunge into the final battle. The art, though, varies from really good to absolutely great. This came out during my favorite era of comic art, so I dig a little Marc Silvestri on the cover and Larry Stroman did a bang up job on the rest of it, giving the relative realism of the time while still putting his own spin on it. The inker, Dan Green, should definitely be given a shout out as there is a ton of great panels where the inking was everything. There is great mood in the panels and very simple shots keep up the pace until the end...

Not that I have no problems with this issue. As a kid, I totally bought that Wolverine would just crouch there in rags. I would have thought, 'Oooh, I wonder who Wolverine just fought? I bet it was Sabertooth and Lady Deathstrike!'. As an adult, however, it seems a little pointless. I'd imagine he'd just rip them off by the time this panel happened and/or changed clothes, though I know why they used it. It's very evocative of the character. Next, the scene in the elevator. Regardless of how strong Wolverine really is, I don't buy that he can hold an elevator car aloft without it slipping through his hand (check the singular status...). It's not a question of his bones; it's just not possible for someone at his assumed power level to do this. Not buying it at all. Further, the battle in the water needs to be addressed. My problems are twofold: 1) Adamantium is heavy (it was once said that he had 300 pounds of adamantium laced to his bones...) so, even with Wolverines augmented strength, he'd have to constantly swim to stay afloat. Augmented strength does not give augmented buoyancy. And B) Why didn't Wolverine get sucked into the rotors with the monster? I can suspend my disbelief for the floating thing, but this completely defied conventional logic and physics. Sure, it wouldn't have killed him, but he doesn't have anti-rotor pheromones or whatever. I may be getting picky as I age, but these just seem a little silly, even in the realm of comic book physics...

It's a very groovy one-shot Wolverine comic. It does not serve to forward any of the Wolverine plotlines of the time, but that's ok. #44 served more as a break in the storyline to develop the character a little and branch out from what was happening then (we were knee deep in the mind wiping cover up and the Shiva program and all back then...). Silvestri was the primary artist at the time (and still did the cover and first page...), but I would imagine this was an effort to allow another artist shine and give Mr. David a crack at writing a Wolverine story. This is definitely one of those issues I still pick up and read to this day, even though I know the entire thing by heart. It is well drawn, well written, and well paced. I feel I can draw a lot from this particular issue and apply to my own comic projects. If you see me and I happen to have it around, give a read and tell me what you think...

In brightest day\In blackest night...

The hobby of comic book collecting has been quite the passion of mine for many years now. In fact, I have deep, close friendships that haven't lasted as long as my love for comic books (scary...). The art, the stories, the characters, all of it; I can't get enough of the good stuff. In amongst my collection is an unremarkable issue of Tales of the Green Lantern Corps. It is not a number one issue, there was no new or breakthrough characters introduced (at least not for roughly two decades...); it's just a standard 80's comic and it's one of my most cherished. I've had it forever and it shows. Let's have a read...

Here we have it; Tales of the Green Lantern Corps No. 3 for a mere 50 cents 25 years (or so...) ago. Long before Paralax Hal Jordan, decades before Spectre Hal Jordan, we just had plain old GL Hal Jordan, an everyman leader of the GL Corps. He's a brave warrior who wants nothing more than to serve like the rest of the Corps (not original, but we buy it...). This was back when Hal walked the line between badass space warrior and silly hero who creates boxing gloves with his power ring. In this particular issue, there is definitely more of the badass Hal going on. We start with part of the Corps returning to Oa and finding the other half of the Corps recently trounced by an evil Gaurdian of the Universe and an army of pseudo-undead. After a short convalessence, the remaining Corps members (realizing they have very little of their 24 hour ring charge left...), fly off to fight their enemy head on...

Along with the evil Guardian, Krona, is a personification of death known as Nekron. He wants to enter the world of the living and make it more deathlike, I suppose (also not terribly new, but always a popular villain goal...). He returns the rogue Guardians mortal form to him and, in return, Krona leads the undead army into the land of the living in a bid to take over the universe. Here's the readers digest version (ask me to borrow the issue some time...): the Corps shows up to stop the undead army, some die in combat. Realizing that Nekron has near limitless forces to send out, Hal wants to shut down the portal to Nekron's realm, so the rest of the Corps charge Hal up with extra power and he jets into the dead realm. Instead of just blasting the crap out of Nekron (too easy a jump...), Hal reactivates all dead GLs in Nekron's realm, who distract him while the good Guardians finish shutting the portal. The spirit of Hal's ring's previous owner (wrap your head around that one...) pushes Hal out and the day is won...

This piece of a comic book is great. It's everything I want in most comic books, a clearly defined good and evil, virtuous heroes, dedicated villains, colorful art (a definite influence on my CosMick story...) and a generally happy ending. It's very contained within one or two issues and it doesn't cross over with any other books/characters needlessly. If you ever see my copy of it, the pages have grown slightly yellowed and soft due to years of reading over and over. It's a very solid issue and I never get tired of flipping through it...

Grade: A...

It's coming...

With November less than a month away, it is time to prepare for that month long event that many aspiring writers attempt in some form or another. I am of course speaking of NaNoWriMo (incidentally, does to 'No' stand for 'novel' or 'November'?). For those unacquainted with NaNoWriMo, it goes like this: a writer challenges him or herself to write a novel of more than 50,000 word in the month of November. The prize is as simple as the challenge: you get to say you've written a novel. The challenge of that much constant writing (more than 1600 words per day...) is daunting to many would-be authors, leading to some unfinished works...

Now, this author is taking it in a slightly different vein (I do have to be me...). As I am not exactly in novel writing mode these days, I am going to use NaNoWriMo for a unique writing challenge: I am going to write one comic book issue per day for the month of November. This will include dialogue and coherent notes for the artist. I will also be giving said issues for editting to those who care and aren't doing NaNoWriMo (Hi Jon, Jesse, Brian, etc...). However, per the rules of NaNoWriMo, I will not change anything of each issue until December 1...

This task is extremely daunting, and I'll tell you why. If one is writing a typical, run-of-the-mill novel, it will have a few characters that stay the focus of the project. This means you can travel with said characters as the story grows around them. Not so with comic book issues. I don't intend to write 30 issues of one character. The way I handle characters and stories these days, I need a break and/or write about something else. So I don't have the luxury to rest up between sessions; I just have to keep plugging along...

So, all that being said, here's what I'm doing to prepare myself:
- No actual issue writing until November 1...
- Keeping track of my various ideas I brainstorm...
- Work on other projects until NaNoWriMo starts...
- Catch up on my single issue reading to set the mood...
- Unearth other possible stories written and forgotten...

With all else going on (job hunting, back-to-schooling, vague wedding plans, household duties, puppy watch...), it's been a challenge just finding enough time to pump myself up for this. I can only imagine it will get harder next month when I put ink to paper. Oh yeah; I'm doing it old school, pencil and paper style mostly for NaNoWriMo. I know that some of my compatriots have been trying to ween me off of it (sorry Crash 'n Klein guys...), but I'm not there yet. Wish me luck...

The Return...

In the year of our Lord, 2-double aught-9, a mid-20's man makes his return to the interwebs. What he finds is a disgrace. A single post in December, January shamefully skipped, and over a week into February with nothing to show for it. This simply won't do. The only way to catch up to the NOW: Montage Post...

Starting it off, December: Had a most excellent vacation. Got to see most of my friends, ESPECIALLY those I keep in the best contact with. You others are next (I'm looking at you, Jen and Georgia). Christmas with the fam, including G-Maw Witte, was a nice taste of childhood again, but it's finally sinking in that I just can't go back to that life anymore. If you say 'Duh!', I've got a punch in the face and a kick in the teeth waiting for you. New Years was low key but fun. Spent it with Brian and Chris and Tara, had some most excellent wine, played games, and all in all, a good time to be had by all. Losing money aside, of course. AND if you ever wanted to know what The Witte looks like, this is me at New Years:

http://www.youtube.com/watch?v=qKJnguZtEv8

The biggest event for January was, obviously, the inauguration of Barack Obama, our 44th President and the first black one to boot. No one took a shot at him, his rhetoric was on point, and now I just don't want to have to see him and his family on every damn magazine cover (won't happen). Seriously, he's in, he's going to do good things, but give us something else besides the Obama's, the Pitt's, and every other boring, blah blah story you come up with. All that aside, I congratulate the man on being the official ruler of the free world and the best of luck to his term(s)...

The transition between that moment and now has been marked by a few events is varying degrees of importance. Some of these happen to be:

-My dear friends Lexie and Grant had their first child (Rose), around the end of January and the beginning of February. This is significant since they are my first close friends I keep in contact with to spawn (so that cuts Ben out). I haven't seen the pictures yet, but due to the attractiveness of both of my friends, I can only assume it is a pretty baby...

-While in the grand scheme this sounds piddling, I figure it was worth a mention. Gran Torino is an excellent movie and I highly recommend it to anyone who enjoys a more slice of life, character driven movie. Clint is true to form and recalls the days of 'The Man With No Name', except in this one, he has one (Walt Kowalski). He plays a Korean vet, racial as hell but (you guessed it) with a heart of gold. I don't want to give too much away, but I will say it is amusing to see such a character in this the modern age and still believe that such a character might really exist...

-In a new segment for The Witte Says..., I will be on Celebrity Watch. Now, this may seem like pablum or other media offensive word, BUT so far it's been awesome. Comic book crowd aside (like at IthaCon, see below), I happened to meet this guy:

This guy is known by the stage name Hilby the Skinny German Juggle Boy and he is most excellent. I saw him first at McDaniel College in 01 or 02, and then again in summer of 06 at the Maryland Renfest. Each time, he has been a treat. His shtick never gets old and appears to truly love his craft. I met/saw Hilby at the Salvation Army (my second job if you've forgotten) up here in Ithaca. When I saw him with his companions(?), I thought 'There is no way there are two guys who look and sound like that so I just have to ask.' So I did, kinda. It was lame, I said, 'Sir, do I know you?' And he replied, with that delicious German accent, 'Why, yes, I am a stage performer. I juggle, tell jokes, that sort of thing.' So we talked for a minute and he said, 'Say hi at the next show you see.' Alright, Hilby, if you read this(and, much like Rick Springfield, you probably won't), expect an odd hello from this fan...

-And, finally: ITHACON. dun Dun DUN!!! Taking up my first Saturday (as well as Jon and Jesse's), this college town of Ithaca has it's own comic book convention, hosted by their resident comic book club (big friggin' surprise there). For those of you who don't know, I, along with the two aforementioned friends, have our own comic book label (Crash N Klein Comics). Our two titles, Denim Avenger and CosMick, are in the works, the DA will be done probably before the weather breaks and CM will debut online late summer. Since the Witte has it in with said comic book club, he arranged for CnK to have a table at IthaCon. We had a ball. We rubbed shoulders with legit comic guys, like Ken Wheaton, Storn Cook, and Roger Stern. We hawked our wares, raffled off a picture, gave out fliers, and nearly got Jon a date. Too bad he lives in lower PA, yes? All in all, it was very productive and fun day, proving once again that we just love it behind the table...

Turning from his post, The Witte gives a small smile. It's not much of an inroad, but it IS a start. It's a new year, and by God, we're going to give it a better chance than it had in the last. Salut...